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From Amateur Librarian - A Course in Critical Pedagogy: No industry in the present demonstrates more the asymmetries of control over the conditions of production of knowledge than the academic publishing. A bag but is language nothing of words language is nothing but a bag of words MICHAEL MURTAUGH In text indexing and other machine reading applications the term "bag of words" is frequently used to underscore how processing algorithms often represent text using a data structure word histograms or weighted vectors where the original order of the words in sentence form is stripped away.

While "bag of words" might well serve as a cautionary reminder to programmers of the essential violence perpetrated to a text and a call to critically question the efficacy of methods based on subsequent transformations, the expression's use seems in practice more like a badge of pride or a schoolyard taunt that would go: Hey language: you're nothin' but a big BAG-OF-WORDS. BAG OF WORDS In information retrieval and other so-called machine-reading applications such as text indexing for web search engines the term "bag of words" is used to underscore how in the course of processing a text the original order of the words in sentence form is stripped away.

The resulting representation is then a collection of each unique word used in the text, typically weighted by the number of times the word occurs. Bag of words, also known as word histograms or weighted term vectors, are a standard part of the data engineer's toolkit. But why such a drastic transformation? The utility of "bag of words" is in how it makes text amenable to code, first in that it's very straightforward to implement the translation from a text document to a bag of words representation.

More P. For instance, a number of libraries available in the booming field of "data sciences" work with "high dimension" vectors; bag of words is a way to transform a written document into a mathematical vector where each "dimension" corresponds to the relative quantity of each unique word. While physically unimaginable and abstract imagine each of Shakespeare's works as points in a 14 million dimensional space , from a formal mathematical perspective, it's quite a comfortable idea, and many complementary techniques such as principle component analysis exist to reduce the resulting complexity.

What's striking about a bag of words representation, given is centrality in so many text retrieval application is its irreversibility. Given a bag of words representation of a text and faced with the task of producing the original text would require in essence the "brain" of a writer to recompose sentences, working with the patience of a devoted cryptogram puzzler to draw from the precise stock of available words. While "bag of words" might well serve as a cautionary reminder to programmers of the essential violence perpetrated to a text and a call to critically question the efficacy of methods based on subsequent transformations, the expressions use seems in practice more like a badge of pride or a schoolyard taunt that would go: Hey language: you're nothing but a big BAG-OF-WORDS.

Following this spirit of the term, "bag of words" celebrates a perfunctory step of "breaking" a text into a purer form amenable to computation, to stripping language of its silly redundant repetitions and foolishly contrived stylistic phrasings to reveal a purer inner essence. The idea was for both senders and receivers of telegraph messages to use the books to translate their messages into a sequence of code words which can then be sent for less money as telegraph messages were paid by the word.

In the front of the book, a list of examples gives a sampling of how messages like: "Have bought for your account bales of cotton, March delivery, at 8. In each case the reduction of number of transmitted words is highlighted to underscore the efficacy of the method. Like a dictionary or thesaurus, the book is primarily organized around key words, such as act, advice, affairs, bags, bail, and bales, under which exhaustive lists of useful phrases involving the corresponding word are provided in the main pages of the volume.

The idea was to use a single code word instead of an entire phrase, thus saving money by serving as an information compression technology. Generally economy won out over [2] secrecy, but in specialized cases, secrecy was also important. In Katherine Hayles' chapter devoted to telegraph code books she observes how: The interaction between code and language shows a steady movement away from a human-centric view of code toward a machine-centric view, thus anticipating the [3] development of full-fledged machine codes with the digital computer.

Aspects of this transitional moment are apparent in a notice included prominently inserted in the Lieber's code book: After July, , all combinations of letters that do not exceed ten will pass as one cipher word, provided that it is pronounceable, or that it is taken from the following languages: English, French, German, Dutch, Spanish, Portuguese or Latin -[4] International Telegraphic Conference, July Conforming to international conventions regulating telegraph communication at that time, the stipulation that code words be actual words drawn from a variety of European languages many of Lieber's code words are indeed arbitrary Dutch, German, and Spanish words P.

What telegraph code books do is remind us of is the relation of language in general to economy. Whether they may be economies of memory, attention, costs paid to a telecommunicatons company, or in terms of computer processing time or storage space, encoding language or knowledge in any form of writing is a form of shorthand and always involves an interplay with what one expects to perform or "get out" of the resulting encoding.

Along with the invention of telegraphic codes comes a paradox that John Guillory has noted: code can be used both to clarify and occlude. Among the sedimented structures in the technological unconscious is the dream of a universal language. Uniting the world in networks of communication that flashed faster than ever before, telegraphy was particularly suited to the idea that intercultural communication could become almost effortless.

In this utopian vision, the effects of continuous reciprocal causality expand to global proportions capable of radically transforming the conditions of human [5] life. That these dreams were never realized seems, in retrospect, inevitable. In addition to the phrases ordered by keywords, the book includes a number of tables of terms for specialized use.

From an archaeological perspective, the Lieber's code book reveals a cross section of the needs and desires of early 20th century business communication between the United States and its trading partners. The advertisements lining the Liebers Code book further situate its use and that of commercial telegraphy. Among the many advertisements for banking and law services, office equipment, and alcohol are several ads for gun powder and explosives, drilling equipment and metallurgic services all with specific applications to mining.

Extending telegraphy's formative role for ship-to-shore and ship-to-ship communication for reasons of safety, commercial telegraphy extended this network of communication to include those parties coordinating the "raw materials" being mined, grown, or otherwise extracted from overseas sources and shipped back for sale. We want unadulterated data. OK, we have to ask for raw data now. And I'm going to ask you to practice that, OK? Can you say "raw"? Audience: Raw. Tim Berners-Lee: Can you say "data"?

Audience: Data. TBL: Can you say "now"? Audience: Now! TBL: Alright, "raw data now"! From The Smart City - City of Knowledge: As new modernist forms and use of materials propagated the abundance of decorative elements, Otlet believed in the possibility of language as a model of 'raw data', reducing it to essential information and unambiguous facts, while removing all inefficient assets of ambiguity or subjectivity.

So, we're at the stage now where we have to do this -the people who think it's a great idea. And all the people -- and I think there's a lot of people at TED who do things because -- even though there's not an immediate return on the investment because it will only really pay off when everybody else has done it -- they'll do it because they're the sort of person who just does things which would be good if everybody else did them. OK, so it's called linked data. I want [6] you to make it.

I want you to demand it. However, this information is often scattered among many web servers and hosts, using many different formats. If these chunks of information could be extracted from the World Wide Web and integrated into a structured form, they would form an unprecedented source of information.

It would include the largest international directory of people, the largest and most diverse databases of products, the greatest bibliography of academic works, and many other useful resources. The "baskets" they mention stem from the origins of "market basket" techniques developed to find correlations between the items recorded in the purchase receipts of supermarket customers. In their case, they deal with web pages rather than shopping baskets, and words instead of purchases.

In transitioning to the much larger scale of the web, they describe the usefulness of their research in terms of its computational economy, that is the ability to tackle the scale of the web and still perform using contemporary computing power completing its task in a reasonably short amount of time. A traditional algorithm could not compute the large itemsets in the lifetime of the universe.

In this paper we experiment with word usage in documents on the World Wide Web see Section 4. This data set is fundamentally different from a supermarket data set. Each document has roughly distinct words on average, as compared to roughly 10 items for cash register transactions. We restrict ourselves to a subset of about 24 million documents from the web.

This set of documents contains over 14 million distinct words, with tens of thousands of them occurring above a reasonable support threshold. Very many sets of [9] these words are highly correlated and occur often. It goes something like this: you the programmer have managed to cobble out a lovely "content management system" either from scratch, or using any number of helpful frameworks where your user can enter some "items" into a database, for instance to store bookmarks.

After this ordered items are automatically presented in list form say on a web page. The author: It's great, except The problem stems from the fact that the database ordering a core functionality provided by any database somehow applies a sorting logic that's almost but not quite right.

The often exascerbated programmer might hastily add an additional database field so that each item can also have an "order" perhaps in the form of a date or some other kind of alpha numerical "sorting" value to be used to correctly order the resulting list. But one might well ask, why not just edit the resulting listing as a document? Not possible! Contemporary content management systems are based on a data flow from a "pure" source of a database, through controlling code and templates to produce a document as a result.

The document isn't the data, it's the end result of an irreversible process. This problem, in this and many variants, is widespread and reveals an essential backwardness that a particular "computer scientist" mindset relating to what constitutes "data" and in particular it's relationship to order that makes what might be a straightforward question of editing a document into an over-engineered database.

Recently working with Nikolaos Vogiatzis whose research explores playful and radically subjective alternatives to the list, Vogiatzis was struck by how from the earliest specifications of HTML still valid today have separate elements OL and UL for "ordered" and "unordered" lists. The representation of the list is not defined here, but a bulleted list for unordered lists, and a sequence of numbered paragraphs for an ordered list would be quite appropriate.

Vogiatzis' surprise lay in the idea of a list ever being considered "unordered" or in opposition to the language used in the specification, for order to ever be considered "insignificant". Indeed in its suggested representation, still followed by modern web browsers, the only difference between the two visually is that UL items are preceded by a bullet symbol, while OL items are numbered. The idea of ordering runs deep in programming practice where essentially different data structures are employed depending on whether order is to be maintained.

The indexes of a "hash" table, for instance also known as an associative array , are ordered in an unpredictable way governed by a representation's particular implementation. This data structure, extremely prevalent in contemporary programming practice sacrifices order to offer other kinds of efficiency fast text-based retrieval for instance.

Whether speaking of bales of cotton, barrels of oil, or bags of words, what links these subjects is the way in which the notion of "raw material" obscures the labor and power structures employed to secure them. The shift from human reading to machine reading involves a shift of responsibility from the individual human body to the obscured responsibilities and seemingly inevitable forces of the "machine", be it the machine of a market or the machine of an algorithm.

The computer scientists' view of textual content as "unstructured", be it in a webpage or the OCR scanned pages of a book, reflect a negligence to the processes and labor of writing, editing, design, layout, typesetting, and eventually publishing, collecting and cataloging [11]. This presence is proof of the materiality of information production, and becomes a sign of the economies and paradigms of efficiency and profitability that are involved.

Computer scientists often view text through the eyes of their particular reading algorithm, and in the process voluntarily blind themselves to the work practices which have produced and maintain these "resources". Berners-Lee, in chastising his audience of web publishers to not only publish online, but to release "unadulterated" data belies a lack of imagination in considering how language is itself structured and a blindness to the need for more than additional technical standards to connect to existing publishing practices.

Hayles 4. Lieber's 5. Hayles 6. Both types of texts are worth considering preserving in libraries. The online environment has created its own hybrid form between text and library, which is key to understanding how digital text produces difference.

Historically, we have been treating texts as discrete units, that are distinguished by their material properties such as cover, binding, script. These characteristics establish them as either a book, a magazine, a diary, sheet music and so on. One book differs from another, books differ from magazines, printed matter differs from handwritten manuscripts. Each volume is a self-contained whole, further distinguished by descriptors such as title, author, date, publisher, and classification codes that allow it to be located and referred to.

The demarcation of a publication as a container of text works as a frame or boundary which organises the way it can be located and read. Researching a particular subject matter, the reader is carried along by classification schemes under which volumes are organised, by references inside texts, pointing to yet other volumes, and by tables of contents and indexes of subjects that are appended to texts, pointing to places within that volume. So while their material properties separate texts into distinct objects, bibliographic information provides each object with a unique identifier, a unique address in the world of print culture.

Such identifiable objects are further replicated and distributed across containers that we call libraries, where they can be accessed. The online environment however, intervenes in this condition. It establishes shortcuts. Through search engine, digital texts can be searched for any text sequence, regardless of their distinct materiality and bibliographic specificity.

This changes the way they function as a library, and the way its main object, the book, should be rethought. These are some of the lines along which online texts appear to produce difference. The first contrasts the distinct printed publication to the machine-readable text, the second the bibliographic information to the URL, and the third the library to the search engine. The introduction of full-text search has created an environment in which all machine-readable online documents in reach are effectively treated as one single document.

For any text-sequence to be locatable, it doesn't matter in which file format it appears, nor whether its interface is a database-powered website or mere directory listing. As long as text can be extracted from a document, it is a container of text sequences which itself is a sequence in a 'book' of the web.

Even though this is hardly news after almost two decades of Google Search ruling, little seems to have changed with respect to the forms and genres of writing. Loyal to standard forms of publishing, most writing still adheres to the principle of coherence, based on units such as book chapters, journal papers, newspaper articles, etc. From Voor elk boek is een gebruiker: FS: Maar het gaat toch ook over de manier waarop jullie toegang bieden, de bibliotheek als interface? Online laten jullie dat nu over aan Google.

Je kan doorheen al die collecties zoeken en dat is ook weer een stukje van die originele droom van Otlet en Vander Haeghen, het idee van een wereldbibliotheek. Voor elk boek is er een gebruiker, de bibliotheek moet die maar gaan zoeken.

Dat is een andere manier van lezen die zelfs Otlet zich niet had kunnen voorstellen. Ze zouden zot worden moesten ze dit weten. Still, the scope of textual forms appearing in search results, and thus a corpus of texts in which they are being brought into, is radically diversified: it may include discussion board comments, product reviews, private emails, weather information, spam etc.

Rather than being published in a traditional sense, all these texts are produced onto digital networks by mere typing, copying, OCR-ing, generated by machines, by sensors tracking movement, temperature, etc. Even though portions of these texts may come with human or non-human authors attached, authors have relatively little control over discourses their writing gets embedded in.

This is also where the ambiguity of copyright manifests itself. Libraries in this sense are not restricted to digitised versions of physical public or private libraries as we know them from history. Commercial search engines, intelligence agencies, and virtually all forms of online text collections can be thought of as libraries. The author's intentions of partaking in this or that discourse are confronted by discourse-conditioning operations of retrieval algorithms. They are all libraries, each containing a single 'book' whose pages are URLs with timestamps and geostamps in the form of IP address.

The decisions about who, to which sections and under which conditions is to be admitted are From Amateur Librarian - A Course informed by a mix of copyright laws, corporate agendas, in Critical Pedagogy: management hierarchies, and national security issues. As books became more easily massVarious sets of these conditions that are at work in a produced, the commercial subscription libraries catering to the particular library, also redefine the notion of publishing better-off parts of society blossomed.

This brought the class aspect of the Corporate journal repositories exploit publicly funded research by renting it only to libraries which can afford it; intelligence agencies are set to extract texts from any moving target, basically any networked device, apparently in public interest and away from the public eye; publiclyfunded libraries are being prevented by outdated copyright laws and bureaucracy from providing digitised content online; search engines create a sense of giving access to all public record online while only a few know what is excluded and how search results are ordered.

Their countertechniques for negotiating the publicness of publishing include self-archiving, open access, book liberation, leaking, whistleblowing, open source search algorithms and so on. Digitization and posting texts online are interventions in the procedures that make search possible. Operating online collections of texts is as much about organising texts within libraries, as is placing them within books of the web.

Originally written June in Prague, Brno and Vienna for a talk given at the Technopolitics seminar in Vienna on 16 June Revised 29 December in Bergen. That evening the sun was tender in drawing its shadows across the lines of his face. The eyes gazed softly into a close middle distance, as if composing a line upon a translucent page hung in the middle of the air, the hands tapping out a stanza or two of music on legs covered by the brown folds of a towelling dressing gown.

He had the air of someone who had seen something of great amazement but yet lacked the means to put it into language. As I got to know the patient over the next few weeks I learned that this was not for the want of effort. Latin biological names, the magnificent table of elements, metric units of measurement, the nomenclature of celestial objects from clouds to planets, anatomical parts and medical conditions all had their own systems of naming beyond any specific tongue.

This was an attempt to bring reason into speech and record, but there were other means to do so when reality resisted these early measures. The dabbling, he reflected, had become a little more than that. He had subscribed to journals in the language, he wrote letters to colleagues and received them in return. A few words of world-speak remained readily on his tongue, words that he spat out regularly into the yellow-wallpapered lounge of the sanatorium with a disgust that was lugubriously palpable.

According to my records, and in piecing together the notes of previous doctors, there was something else however, something more profound that the language only hinted at. Just as the postal system did not require the adoption of any language in particular but had its P. More thrilling than the question of language indeed was that of the system of organisation upon which linguistic symbols are inscribed.

Suffice it to say that in its use I enjoyed the highest form of spiritual pleasure, and organisational efficiency, a profound flowering of intellect in which every thought moved between its enunciation, evidence, reference and articulation in a mellifluous flow of ideation and the gratification of curiosity. All were integrated into the system. As I gained the trust of the patient, there was a sense in which he estimated me as something of a junior collaborator, a clerk to his natural role as manager.

A lucky, if slightly doubtful, young man whom he might mentor into efficiency and a state of full access to information. For his world, there was not the corruption and tiredness of the old methods. Ideas moved faster in his mind than they might now across the world. That it can answer any question respecting any thought about which one has had an enquiry is but the smallest of its merits.

More important is the fact that it continually calls attention to matters requiring such attention. Much of his discourse was about the optimum means of arrangement of the system, there was an art to laying out the cards. As the patient further explained, to meet the objection that loose cards may easily be mislaid, cards may be tabbed with numbers from one to ten.

When arranged in the drawer, these tabs proceed from left to right across the drawer and the absence of a single card can thus easily be detected. The cards are further arranged between coloured guide cards. As an alternative to tabbed cards, signal flags may be used. Here, metal clips may be attached to the top end of the card and that stand out like guides. For use of the system in relation to dates of the month, the card is printed with the numbers 1 to 31 at the top. The metal clip is placed as a signal to indicate the card is to receive attention on the specified day.

There were numerous means of working the cards, special techniques for integrating them into any type of research or organisation, means by which indexes operating on indexes could open mines of information and expand the knowledge and capabilities of mankind. The advantages of the system are overwhelming. Cards, cut to the right mathematical degree of accuracy, arrayed readily in drawers, set in cabinets of standard sizes that may be added to at ease, may be apportioned out amongst any number of enquirers, all of whom may work on them independently and simultaneously.

The bound book, by contrast, may only be used by one person at a time and that must stay upon a shelf itself referred to by an index card system. I began to set up a structure of rows of mirrors on chains and pulleys and a set of levered and hinged mechanical arms to allow me to open the drawers and to privately consult my files from any location within the sanatorium.

The clarity of the image is however so far too much effaced by the diffusion of light across the system. It must further be borne in mind that a system thus capable of indefinite expansion obviates the necessity for hampering a researcher with furniture or appliances of a larger size than are immediately required. The continuous and orderly sequence of the cards may be extended further into the domain of furniture and to the conduct of business and daily life.

Reasoning, reference and the order of ideas emerging as they embrace and articulate a chaotic world and then communicate amongst themselves turning the world in turn into something resembling the process of thought in an endless process of consulting, rephrasing, adding and sorting. For the patient, ideas flowed like a force of life, oblivious to any unnatural limitation. Thought became, with the proper use of the system, part of the stream of life itself.

Thought moved through the cards not simply at the superficial level of the movement of fingers and the mechanical sliding and bunching of cards, but at the most profound depths of the movement P. The organisational grace to be found in arrangement, classification and indexing still stirred the remnants of his nervous system until the last day. Upon closer investigation, it has become evident that the mixed contents of the box make up one single document.

Difficult to decipher due to messy handwriting, the manuscript poses further challenges to the reader because its fragments lack a preestablished order. Simply uploading high-quality facsimile images of the box contents here would not solve the problems of legibility and coherence. As an intermediary solution, the editor has opted to introduce below a selection of scanned images and transcribed text from the found box.

The transcript is intended to be read as a document sample, as well as an attempt at manuscript reconstruction, following the original in the author's hand as closely as possible: pencilled in words in the otherwise black ink text are transcribed in brackets, whereas curly braces signal erasures, peculiar marks or illegible parts on the index cards.

Despite shifts in handwriting styles, whereby letters sometimes appear extremely rushed and distorted in multiple idiosyncratic ways, the experts consulted unanimously declared that the manuscript was most likely authored by one and the same person.

To date, the author remains unknown. Q I've been running with a word in my mouth, running with this burning untitled shape, and I just can't spit it out. Spit it with phlegm from a balcony, kiss it in a mirror, brush it away one morning. I've been running with a word in my mouth, running Tunneling through my memory, my tongue begins burning again and so I recollect that the subject matter was an agonizing, unutterable obsession I needed to sort out most urgently.

Back then I knew no better way than to keep bringing it up obliquely until it would chemically dissolve itself into my blood or evaporate through the pores of my skin. An anti-incantation, a verbal overdose, a semantic dilution or reduction — for the first time, I was ready to inflict harm on words! All this unusual business must have carried on untroubled for some time until that Wed. Do you know how worrisome I find the new warning on the elevator doors? Has there been an accident?

Or is this simply an insurance disclaimer-trick? Oddly, not the faintest or most bored acknowledgment of my inquiry or presence came from across the desk. From where I was standing, I performed a quick check to see if any cables came out of the receptionist's ears. Channels unobstructed, no ear mufflers, no micro-devices. Suspicion eliminated, I waved at him, emitted a few other sounds — all to no avail.

My tunnel-visioned receptionist rolled his chair even closer to one of the many monitors under his hooked gaze, his visual field now narrowed to a very acute angle, sheltered by his high desk. How well I can still remember that at that exact moment I wished my face would turn into the widest, most expensive screen, with an imperative, hairy ticker at the bottom — h e y t o u c h m y s c r e e n m y m u s t a c h e s c r e e n e l e v a t o r t o u c h d o w n s c r e a m J That's one of the first red flags I remember in this situation here, really starting to come across more or less as a story : a feeling of being silenced by the building I inhabited.

In any case, t]hat day, I had been forewarned, but I failed to understand. As soon as I pushed the revolving door and left the building with a wry smile [on my face], the traffic outside wolfed down the warning. No longer do I feel pain on my tongue, only a tinge of volcanic ash as an aftermath of this defeat. U I've been running with a word in my mouth, running with this burning untitled shape, and I just can't spit it out. It has become my tooth, rooted in my nervous system. My word of mouth.

P Since then, my present has turned into an obscure hole, and I can't climb out of it. Most of the time, I'm sitting at the bottom of this narrow oubliette, teeth in knees, scribbling notes with my body in a terribly twisted position. And when I'm not sitting, I'm forced to jump. Agonizing thoughts numb my limbs so much so that I feel my legs turning to stone.

On some days I look up, terrified. I can't even make out whether the diffuse opening is egg- or squareshaped, but there's definitely a peculiar tic-tac sequence interspersed with neighs that my pricked ears are picking up on. A sound umbrella, hovering somewhere up there, high above my imploded horizon. When I first noticed the sound, its circular cadence was soft and unobtrusive, almost protective, but now the more laps the clock-horse is running, the deeper the ticking and the neighing sounds are drilling into the hole.

I picture this as an ever rotating metal worm inside a mincing machine. If I point my chin up, it bores through my throat! Following this not entirely bleak hypothesis, the oubliette I'm trapped in translates to an explainable state of blackout and all the ticking and the drilling could easily find their counterparts in the host of medical devices and their noise-making that support a comatose person.

After all, I am not made of black pencil or cardboard or paper. Despite this conclusion, the effort has left me sulking for hours without being able to scribble anything, overwhelmed by a sensation of being pinched and pulled sideways by dark particles inside the mineral dampness of this open tomb.

What's the use of a vertical territory if you can't sniff it all the way up? I It's a humongous workplace, with a blue entrance door, cluttered with papers on both sides. Left hand on the entrance door handle, the woman presses it and the three of them [guiding co-worker, faceless cameraman, scarlet-haired interviewer] squeeze themselves P.

It's still her. Exploring leftovers around here can go up and down to horrifying and overwhelming sensorial levels The chances of finding us? Things are not lost; there are just different ways of finding them. A random stroll, a lucky find — be that on-line or off-line —, or a seductive word of mouth may be the entrance points into this experiential space, a manifesto for haphazardness, emotional intuitions, subversion of neural pathways, and non-productive attitudes. A dadaist archive?

Ours is definitely not an archive, there's no trace of pyramidal bureaucracy or taxonomy here, no nation state at its birth. Hence you won't find a reservoir for national or racial histories in here. Just imagine we changed perception scales, imagine a collective cut-up project that we, chaos workers, are bringing together without scissors or screwdrivers because all that gets through that blue door [and that is the only condition and standard] has already been shaped and fits in here.

Interview continues, but she forgets to mention that behind the blue door, in this very big box 1. Although it is the Institute's policy to accept paper donations only from private individuals, it occasionally makes exceptions and takes on leftovers from nonprofit organizations. Each time this happens, an extended rite of passage follows so as to slightly delay and thereby ease the arrival of chaos bits: the most reliable chaos worker, Microexpressionist by metonymically selected feature, supervises the transfer of boxes at the very beginning of a long hallway [eyeballs moving left to right, head planted in an incredibly stiff neck].

Then, some fifty meters away, standing in front of the opened blue door, Puckered Lips welcomes newcomers into the chaos, his gestures those of a marshaller guiding a plane into a parking position. But once the gray [? Everyone's free to grow limbs and choose temporal neighbors. L … seated cross-legged at the longest desk ever, Ragged Mane is randomly extracting photodocuments from the freshest chaos segment with a metallic extension of two of her fingers [instead of a pince-nez, she's the one to carry a pair of tweezers in a small pocket at all times].

Two mustaches, one hat, three pairs of glasses, some blurred figures in the background, and one most fascinating detail! Afterward, eyes split again and roll on the surface of the photograph like black-eyed peas on a kitchen table. On the outside it's spotted with straddled city topographies, inside, it's filled with a vernacular accumulation of anational dust without a trace of usable pasts.

Early on, the commentator breaks into unwitty superlatives and platitudes, while the soundtrack unnecessarily dramatizes a 3D layering of the city structure. Despite all this, the mood on the couch is patient, and viewers seem to absorb the vignetted film. Hence, reading the city acquires a literal dimension, skyscrapers echo clustered block letters on a line, and the pedestrian reader gets reduced to the size of a far-sighted microbe.

A foreboding district for newlyweds? In terms of real proportions, the size of a mailbox- or a drawer-apartment is comparable to that P. In fact, take out all that you need and once you feel relieved, exchange personas as if in an emergency situation. Then, behind vermillion curtains, replace pronouns at will. An intubated wish for character replacement?

Pale, you might think, how pallid and lifeless they appear to be, but try to hold their gaze and notice how the interaction grows uncomfortable through persistence. Blink, if you must. Move your weight from one leg to the other, and become aware of how unflinching their concentration remains, as if their eyes are lured into a screen. And as you're trying to draw attention to yourself by making ampler, pantomimic gestures, your hands touch the dark inner edges of the monitor you're [boxed] in.

Look out and around again and again If I were in shape, attuned and wired to my perception angles and sensors, I could identify beyond precision that it is a cabal plotting I begin fearing. Lately, it's all been going really awry. C Out of the blue, the clock-horse dislocated particles expand in size, circle in all directions like giant flies around a street lamp, and then in the most predictable fashion, they collide with my escapist reminiscences multiple times until I lose connection and the landscape above comes to a [menacing] stillness.

Proportions have inverted, scraped surfaces have commingled and my U-shaped. I can't find my hands! For information on document location or transcription method, kindly contact the editor. The quantity of similar words relates to the word-count of the texts, which means that each appearance has a different weight. Beyond the mere quantified use of a common language, this list follows the intuition that there is something more to elaborate in the discourse between these two utopians.

One possible reading can be found in The Smart City, an essay that traces their encounter. Prenons l'exemple des aparitions du mot esprit par exemple sont plus significatives dans Vers une Architecture P. Wordcount: Word-count: A good example is a scene from the video "From industrial heartland to the Internet age", published by The Mundaneum, , where the drawers of Mundaneum disambiguation: Otlet's Utopia morph into the servers of one of Google's data centres.

This approach is not limited to images: a recurring discourse that shapes some of the exhibitions taking place in the Mundaneum maintains that the dream of the Belgian utopian has been kept alive in the development of internetworked communications, and currently finds its spitiual successor in the products and services of Google. Even though there are many connections and similarities between the two endeavours, one has to acknowledge that Otlet was an internationalist, a socialist, an utopian, that his projects were not profit oriented, and most importantly, that he was living in the temporal and cultural context of modernism at the beginning of the 20th century.

The constructed identities and continuities that detach Otlet and the Mundaneum from a specific historical frame, ignore the different scientific, social and political milieus involved. It means that these narratives exclude the discording or disturbing elements that are inevitable when considering such a complex figure in its entirety.

This is not surprising, seeing the parties that are involved in the discourse: these types of instrumental identities and differences suit the rhetorical tone of Silicon Valley. Newly launched IT products for example, are often described as groundbreaking, innovative and different from anything seen before.

In other situations, those products could be advertised exactly the same, as something else that already exists[1]. While novelty and difference surprise and amaze, sameness reassures and comforts. The samenessdifference duo fulfils a clear function: on the one hand, it suggests that technological advancements might alter the way we live dramatically, and we should be ready to give up our old-fashioned ideas about life and culture for the sake of innovation. On the other hand, it proposes we should not be worried about change, and that society has always evolved through disruptions, undoubtedly for the better.

For each questionable groundbreaking new invention, there is a previous one with the same ideal, potentially with just as many critics Great minds think alike, after all. This sort of a-historical attitude pervades techno-capitalist milieus, creating a cartoonesque view of the past, punctuated by great men and great inventions, a sort of technological variant of Carlyle's Great Man Theory.

This instrumental reading of the past is largely consistent with the theoretical ground on which the Californian Ideology[2] is based, in which the conception of history is pervaded by various strains of technological determinism from Marshall McLuhan to Alvin Toffler[3] and capitalist individualism in generic neoliberal terms, up to the fervent objectivism of Ayn Rand.

The appropriation of Paul Otlet's figure as Google's grandfather is a historical simplification, and the samenesses in this tale are not without fundament. Many concepts and ideals of documentation theories have reappeared in cybernetics and information theory, and are therefore present in the narrative of many IT corporations, as in Mountain View's case. With the intention of restoring a historical complexity, it might be more interesting to play the exactly the same game ourselves, rather than try to dispel the advertised continuum of the Google on paper.

Choosing to focus on other types of analogies in the story, we can maybe contribute a narrative that is more respectful to the complexity of the past, and more telling about the problems of the present. What followings are three such comparisons, which focus on three aspects of continuity between the documentation theories and archival experiments Otlet was involved in, and the cybernetic theories and practices that Google's capitalist enterprise is an exponent of.

The First one takes a look at the conditions of workers in information infrastructures, who are fundamental for these systems to work but often forgotten or displaced. Next, an account of the elements of distribution and control that appear both in the idea of a Reseau Mundaneum , and in the contemporary functioning of data centres, and the resulting interaction with other types of infrastructures. Finally, there is a brief analysis of the two approaches to the 'organization of world's knowledge', which examines their regimes of truth and the issues that P.

Hopefully these three short pieces can provide some additional ingredients for adulterating the sterile recipe of the Google-Otlet sameness. In a drawing titled Laboratorium Mundaneum, Paul Otlet depicted his project as a massive factory, processing books and other documents into end products, rolled out by a UDC locomotive.

In fact, just like a factory, Mundaneum was dependent on the bureaucratic and logistic modes of organization of labour developed for industrial production. Looking at it and at other written and drawn sketches, one might ask: who made up the workforce of these factories? In this beautiful group picture, we notice that the workforce that kept the archival machine running was made up of women, but we do not know much about them.

As in telephone switching systems or early software development[5], gender stereotypes and discrimination led to the appointment of female workers for repetitive tasks that required specific knowledge and precision. Notwithstanding the incredible advancement of information technologies and the automation of innumerable tasks in collectiong, processing and distributing information, we can observe the same pattern today. All automatic repetitive tasks that technology should be able to do for us are still, one way or another, relying on human labour.

And unlike the industrial worker who obtained recognition through political movements and struggles, the role of many cognitive workers is still hidden or under-represented. Computational linguistics, neural networks, optical character recognition, all amazing machinic operations are still based on humans performing huge amounts of repetitive intellectual tasks from which software can learn, or which software can't do with the same efficiency.

Automation didn't really free us from labour, it just shifted the where, when and who of labour. Mechanical turks, content verifiers, annotators of all kinds The software we use requires a multitude of tasks which are invisible to us, but are still accomplished by humans. Who are they? When possible, work is outsourced to foreign English-speaking countries with lower wages, like India.

In the western world it follows the usual pattern: female, lower income, ethnic minorities. An interesting case of heteromated labour are the socalled Scanops[7], a set of Google workers who have a different type of badge and are isolated in a section of the Mountain View complex secluded from the rest of the workers through strict access permissions and fixed time schedules.

Their work consists of scanning the pages of printed books for the Google Books database, a task that is still more convenient to do by hand especially in the case of rare or fragile books. The workers are mostly women and ethnic minorities, and there is no mention of them on the Google Books website or elsewhere; in fact the whole scanning process is kept secret.

Even though the secrecy that surrounds this type of labour can be justified by the need to protect trade secrets, it again conceals the human element in machine work. This is even more obvious when compared to other types of human workers in the project, such as designers and programmers, who are celebrated for their creativity and ingenuity. However, here and there, evidence of the workforce shows up in the result of their labour.

Photos of Google Books employee's hands sometimes mistakenly end up in the digital version of the book online[8]. Whether the tendency to hide the human presence is due to the unfulfilled wish for total automation, to avoid the bad publicity of low wages and precarious work, or to keep an aura of mystery around machines, remains unclear, both in the case of Google Books and the P.

Still, it is reassuring to know that the products hold traces of the work, that even with the progressive removal of human signs in automated processes, the workers' presence never disappears completely. This presence is proof of the materiality of information production, and becomes a sign in a webpage or the OCR scanned pages of a book, reflect a negligence to the processes and labor of writing, editing, design, layout, typesetting, and eventually publishing, collecting and [9] cataloging.

In , while Prime Minister Di Rupo was celebrating the beginning of the second phase of constructing the Saint Ghislain data centre, a few hundred kilometres away a very similar situation started to unroll. In the municipality of Eemsmond, in the Dutch province of Groningen, the local Groningen Sea Ports and NOM development were rumoured to have plans with another code named company, Saturn, to build a data centre in the small port of Eemshaven.

A few months later, when it was revealed that Google was behind Saturn, Harm Post, director of Groningen Sea Ports, commented: "Ten years ago Eemshaven became the laughing stock of ports and industrial development in the Netherlands, a planning failure of the previous century.

And now Google is building a very large data centre here, which is 'pure advertisement' for Eemshaven and the data port. Yet another territory fortunately chosen by Google, just like Mons, but what are the selection criteria?

For one thing, data centres need to interact with existing infrastructures and flows of various type. Technically speaking, there are three prerequisites: being near a substantial source of electrical power the finished installation will consume twice as much as the whole city of Groningen ; being near a source of clean water, for the massive cooling demands; being near Internet infrastructure that can assure adequate connectivity.

There is also a whole set of non-technical elements, that we can sum up as the social, economical and political climate, which proved favourable both in Mons and Eemshaven. The push behind constructing new sites in new locations, rather expanding existing ones, is partly due to the rapid growth of the importance of Software as a service, so-called cloud computing, which is the rental of computational power from a central provider.

With the rise of the SaaS paradigm the geographical and topological placement of data centres becomes of strategic importance to achieve lower latencies and more stable service. This includes buying leftover fibre networks[11], entering the business of underwater sea cables[12] and building new data centres, including the ones in Mons and Eemshaven.

The spread of data centres around the world, along the main network cables across continents, represents a new phase in the diagram of the Internet. This should not be confused with the idea of decentralization that was a cornerstone value in the early stages of interconnected networks. Paradoxically, it is now the growing centralization of all kind of operations in specific buildings, that is fostering their distribution.

The tension between centralization and distribution and the dependence on neighbouring infrastructures as the electrical grid is not an exclusive feature of contemporary data storage and networking models. Again, similarities emerge from the history of the Mundaneum, illustrating how these issues relate closely to the logistic organization of production first implemented during the industrial revolution, and theorized within modernism.

Centralization was seen by Otlet as the most efficient way to organize content, especially in view of international exchange[14] which already caused problems related to space back then: the Mundaneum archive counted 16 million entries at its peak, occupying around rooms. The cumbersome footprint, and the growing difficulty to find stable locations for it, concurred to the conviction that the project should be included in the plans of new modernist cities.

Between various attempts, he participated in the competition for the development of the Left Bank in Antwerp. The most famous modernist urbanists of the time were invited to plan the development from scratch. At the time, the left bank was completely vacant. Otlet lobbied for the insertion of a Mundaneum in the plans, stressing how it would create hundreds of jobs for the region.

He also flattered the Flemish pride by insisting on how people from Antwerp were more hard working than the ones from Brussels, and how they would finally obtain their deserved recognition, when their city would be elevated to World City status. In these proposals, Otlet's archival infrastructure was shown in interaction with the existing city flows such as industrial docks, factories, the railway and the newly constructed stock market.

In fact the existing Mundaneum would simply be the first node of a wide network bound to expand to the rest of the world, the Reseau Mundaneum. The nodes of this network are explicitly described in relation to "post, railways and the press, those three essential organs of modern life which function unremittingly in order to unite men, cities and nations.

As a result, the same piece of information would be serially produced and logistically distributed, described as a sort of moving Mundaneum idea, facilitated by the railway system[20]. No wonder that future Mundaneums were foreseen to be built next to a train station. In Otlet's plans for a Reseau Mundaneum we can already detect some of the key transformations that reappear in today's data centre scenario. First of all, a drive for centralization, with the accumulation of materials that led to the monumental plans of World Cities.

In parallel, the push for international exchange, resulting in a vision of a distribution network. Thirdly, the placement of the hypothetic network nodes along strategic intersections of industrial and logistic infrastructure. While the plan for Antwerp was in the end rejected in favour of more traditional housing development, 80 years later the legacy of the relation between existing infrastructural flows and logistics of documentation storage is highlighted by the data ports plan in Eemshaven.

Since private companies are the privileged actors in these types of projects, the circulation of information increasingly respond to the same tenets that regulate the trade of coal or electricity. The very different welcome that traditional politics reserve for Google data centres is a symptom of a new dimension of power in which information infrastructure plays a vital role. The celebrations and tax cuts that politicians lavish on these projects cannot be explained with jobs or economic incentives for a depressed region alone.

They also indicate how party politics is increasingly confined to the periphery of other forms of power and therefore struggle to assure themselves a strategic positioning. The Universal Decimal Classification[21] system, developed by Paul Otlet and Henri Lafontaine on the basis of the Dewey Decimal Classification system is still considered one of their most important realizations as well as a corner-stone in Otlet's overall vision.

Its adoption, revision and use until today demonstrate a thoughtful and successful approach to the classification of knowledge. The UDC differs from Dewey and other bibliographic systems as it has the potential to exceed the function of ordering alone. The complex notation system could classify phrases and thoughts in the same way as it would classify a book, going well beyond the sole function of classification, becoming a real language. One could in fact express whole sentences and statements in UDC format[22].

The fundamental idea behind it [23]was that books and documentation could be broken down into their constitutive sentences and boiled down to a set of universal concepts, regulated by the decimal system. This would allow to express objective truths in a numerical language, fostering international exchange beyond translation, making science's work easier by regulating knowledge with numbers.

We have to understand the idea in the time it was originally conceived, a time shaped by positivism and the belief in the unhindered potential of science to obtain objective universal knowledge. Today, especially when we take into account the arbitrariness of the decimal structure, it sounds doubtful, if not preposterous.

However, the linguistic-numeric element of UDC which enables to express fundamental meanings through numbers, plays a key role in the oeuvre of Paul Otlet. In his work we learn that numerical knowledge would be the first step towards a science of combining basic sentences to produce new meaning in a systematic way. Otlet wasn't the first to envision an algebra of thought. It has been a recurring topos in modern philosophy, under the influence of scientific positivism and in concurrence with the development of mathematics and physics.

Even though one could trace it back to Ramon Llull and even earlier forms of combinatorics, the first to consistently undertake this scientific and philosophical challenge was Gottfried Leibniz. The German philosopher and mathematician, a precursor of the field of symbolic logic, which developed later in the 20th century, researched a method that reduced statements to minimum terms of meaning.

The first one, analytic, the characteristica universalis, was a universal conceptual language to express meanings, of which we only know that it worked with prime numbers. The second one, synthetic, the calculus ratiocinator, was the algebra that would allow operations between meanings, of which there is even less evidence. The idea of calculus was clearly related to the infinitesimal calculus, a fundamental development that Leibniz conceived in the field of mathematics, and which Newton concurrently developed and popularized.

Even though not much remains of Leibniz's work on his algebra of thought, it was continued by mathematicians and logicians in the 20th century. Most famously, and curiously enough around the same time Otlet P. While this problem was not yet evident at the time, it would emerge in the duality of language and categorization, as it did later with Otlet's UDC. The relation between organizational and linguistic aspects of knowledge is also one of the open issues at the core of web search, which is, at first sight, less interested in objective truths.

At the beginning of the Web, around the mid '90s, two main approaches to online search for information emerged: the web directory and web crawling. Some of the first search engines like Lycos or Yahoo! With the exponential growth of web content on the Internet, web directories were soon dropped in favour of the more efficient automatic crawling, which in turn generated so many results that quality has become of key importance.

Quality in the sense of the assessment of the webpage content in relation to keywords as well as the sorting of results according to their relevance. Are you a pirate? Step 3: Confirm Firefox restart to activate the add-on.

Background This add-on provides a simple interface to torrent files, combining a torrent search engine with the information features offered by Amazon. Manual 56 Pirates of the Amazon It also shows that there is an alternative to buying overpriced media- products from companies relying on outdated distribution techniques. Pirates of the Amazon offers to be a counterpart to the current models of media distribution.

Established media distributors claim that peer-to-peer networks are the death for entertainment media itself. The truth is that the possibility of information sharing inspires people to start creating, remixing and enriching the media landscape. We are not affiliated with The Pirate Bay, and do not host or even link to any illegal content.

This artistic project addresses the topic of current media distribution models vs. When you choose to install the add-on, you modify the local behavior of your web browser. If you download content through a torrent link, provided by The Pirate Bay, you might violate current copyright laws. One day after publishing they received a take down request by the legal department of Amazon. Since then, the add-on is not available anymore. He is s a perpetual autodidact with if it matters advanced degrees from an reputable art school and respected state university.

Get out that new digital camera you just unwrapped, do some hunting online and get into it. Search commons. Create a photo of you today where you recreate the pose and scene as best you can. Try to dress the same. Put the two images side by side and upload it into the comments!

You may choose to use a heat gun to make the linoleum easier to cut, or even a laser cutter. For games requiring the fire button, a separate ring can be worn which converts hand-strokes into button presses. This may be rolling dice or it may be frantically pressing a button. Although, this behavior tends to vary, the objective of this behavior is always the same, to win the game.

Our impetus to win can be seen as a drive towards transcendence. A transcendence that is both over death and, in a sense, a metaphorical death. It would be reasonable to assert that the tension that builds during gameplay and the release achieved through victory are similar to the events leading up and through a sexual orgasm.

Manual 62 The Joydick Bringing us full circle, aside from sharing a similar goal and end result, the much more obvious relation between video gameplay and what this haptic technology provides, an expression of masculine sexuality, is that they are both driven by a core mechanic. In the case of male masturbation, the core mechanic is the repeated stimulation of the nerve endings of the penis. In fact, the similarities between the mechanics and objectives of both sex and video games are so striking that it may be fair to say that gameplay, particular video games, are driven by displaced sexual energy.

This hypothesis can help explain why young, sexually-frustrated males are the largest demographic in the gaming world and why men in general are two times more likely to be avid gamers than women. It is also true that energy misdirected towards video games has been known to destroy marriages and tear apart relationships.

The link between video gameplay and male sexual stimulation seems quite clear. It is therefore somewhat surprising that it would seem up until now, no one has taken the logical step forward and used repeated sexual stimulation as a means for controlling a video game. Although a number of people have used game controllers as stimulators by creating devices that are reactive to gameplay, a majority of these systems are directed towards female stimulation and are possibly designed as a way to engage frustrated partners in the masturbatory nature of video gameplay.

The Joydick stimulates males both mentally and physically by combining the core mechanic of gameplay with the core mechanic of sexual stimulation. I work with technologies and piracies to interact with and reflect on spaces that emerge from the endless tensions between information, property and power. Free Copyright for the Masses is a simple web tool that adds the most valuable copyright watermarks to your content for free. Just upload your image and adorn it with one of four prestigious watermarks to give them instant credibility.

For example, you could block access to your email, Facebook, and Twitter for 90 minutes, but still have access to the rest of the web. Once started, it can not be undone by the application, by deleting the application, or by restarting the computer — you must wait for the timer to run out.

Created while at Eyebeam Center for Art and Technology. Thanks to Charlie Stigler for developing the application. I used a LilyPad Arduino with a rechargeable lithium-polymer battery for flatness and re-usability. Among other things, in he became web famous for his online behavior, and especially for his all-caps rants published on his now defunct blog and on social media platforms like Twitter.

On May 11, , Evan Roth published on the F. According to the closing post by Jamie Wilkinson, the week generated over 70, visits to the F. And with computer illiterate talking heads like Rush Limbaugh [1] or internet illiterate censorship advocates like Ursula von der Leyen, [2] it is easy to befuddle them with the appearance of censored text on the web pages they commonly visit. And, so, you can read every page, but you cannot keyword search it. It's not a text file as legislation normally is as posted on these public websites.

In either case, Reader searches the PDF body text, layers, form fields, and digital signatures. In her fight against internet child pornography, she created the basic infrastructure for extensive censorship of websites deemed illegal by the Federal Criminal Police Office of Germany BKA. For more information, cf. Do Speed Projects! Start labeling your latest work with the official Speed Project stamp.

Check the amount of time you needed for full production time including online publication. A Speed Project may not take longer than 8h max. Adding up time fragments is not allowed, once you started the clock is running skip lunch or better do a project during lunchtime ;- Download the template now [1] and release something today! Be fast! Go go go! Setting up this project took me roughly one hour.

Of course, it is a speed project too. Are you annoyed by the people and world around you? Do you feel sometimes dizzy walking home in the 3rd dimension? Just switch your whole life to 2D. It never has been so easy!! Life is so much better!! Her works have investigated topics such as artificial life, eye-tracking and optical illusions. She worked as a creative engineer at the Ars Electronica Futurelab and was the recipient of a year-long fellowship at the Eyebeam Art and Technology Center in New York.

The EyeWriter software is two parts — an eye-tracking software designed for use with low-cost glasses, and a drawing software designed for drawing with eye movements. The eye-drawing software is designed to work with the EyeWriter tracking software as well as commercial eye-trackers.

The tool allows you to draw, manipulate and style a tag using a time-based interface so that triggering buttons or creating points for drawing is achieved by focusing on the position for a given amount of time. Thanks to these two powerful tools, TEMPT1 eye movements can be converted into his famous tag, and turned into a digital image or projected live onto a building. Since its development, EyeWriter has been publicly presented in various occasions, both in urban spaces and in exhibition spaces.

Thanks to its open source nature, the project also spawned related projects, including MumbaiWriter, by James Powderly, and LiveWriter, by Theo Watson. Here comes the MumbaiWriter: a solder-less version of EyeWriter made from parts and tools found locally in Mumbai. In case you would like to make one, here are a few advices on how-to haggle down a market vendor in bad Hindi, written phonetically: — You go into a market and you approach a vendor who is selling something you want.

You basically just said they are selling cheap shit. But everyone respects an arse, so they give you a decent price in rupee. Whatever the vendor says next, you should take it. Its probably as low as its going to go for you. For more info, cf. The system allowed them to both draw with their eyes and type with a keyboard. The keyboard was by far the most popular with the kids and it would send the letters they made to the robot using a typeface designed by paralysed graffiti artist TEMPT1, made with the original EyeWriter system.

He is currently an Associate Professor of Art at Carnegie Mellon University, with courtesy appointments in Design and Computer Science; there, he teaches computation arts and researches new intersections of machine code and visual culture.

Since he has also served as Director of the Frank-Ratchye STUDIO for Creative Inquiry, an arts- research laboratory dedicated to supporting atypical, interdisciplinary and inter-institutional projects at the intersection of arts, sciences and technology. The format is designed to maximize readability and ease of implementation for even hobbyist programmers, artists and graffiti writers. Beyond storing data, a main goal of GML is to spark interest surrounding the importance and fun of open data and introduce open source collaborations to new communities.

GML is intended to be a simple bridge between ink and code, promoting collaborations between graffiti writers and hackers. GML was originally created by F. It is the point of convergence of many graffiti-related projects by F. In , during their fellowship at the Eyebeam OpenLab, Evan Roth and James Powderly founded the Graffiti Research Lab, an art group dedicated to outfitting graffiti writers, artists and protesters with open source technologies for urban communication.

Tag , a computer vision system paired with a projector that enables one to write on walls using a high-power laser pointer. Since , Roth is also working on Graffiti Analysis, an extensive ongoing study in the motion of graffiti in which custom software designed for graffiti writers creates visualizations of the often unseen gestures involved in the creation of a tag. In January , Roth announced on the F. With a small hack of the code, the app can be connected to a projector, and used to make live public interventions in real time from the iPhone.

Manual 83 book. By registering on book. And each user has a profile page that shows off their bling. On the other hand, programmers and artists can download your GML data and render the tags in any conceivable way, shape, or form. The project aims to bring together two seemingly disparate communities that share an interest hacking systems, whether found in code or in the city: graffiti writers and computer programmers.

Since the launch of the database, thousands of tags have been uploaded, and more than twenty GML-based projects have been archived, both by F. An assistive tool or telematic proxy for taggers working in harsh environments. Long-needed relief for graffiti artists with RSI.

Or simply, pure research into as-yet- untrammeled intersections of automation and architecture. I hope we can pursue this possibility a little further. Speaking of future directions, there are lots of interesting research topics latent here in automated calligraphy. We were astonished to realize just how important the force-feedback of pressure is to the visual quality of the drawings. We shattered a marker and sent ink everywhere when our estimate of the Z-plane turned out to be off by a quarter-inch.

Manual 86 GML v1. Manual 87 GML v1. Manual 88 GML v1. Manual 89 GML v1. This device can be constructed using and modifying everyday found materials such as: - Arduino - Arduino SD Shield - Retractable tape measure x 2 - Ball mouse - Strings - Water tube to attach the spray can - A nut and a bolt too keep the can attached and adjust the height.

Print and cut out pattern pieces 2. Pin to right side of fabric and mark corners of letters arrows 3. Cut around pattern dotted lines are slits 4. Fold over and press seam allowance to wrong side of fabric 5. Pin letters to hoodie 6. Sew letters to hoodie with a ladder stitch or glue to hoodie with fabric glue Step-by-step instructions are available on Instructables: www.

Google is a search engine and web giant. It is also a silly imaginary word. It can be used as a noun, adjective, verb, adverb or slur. There is no other search engine quite as good as Google. Let me Google that for you. Stick that up your Google! For you see, Google is not all that meets the eye. It is like an amulet, a talisman. You may use it to find everything. And Nothing. And then look at related pictures. What would you like to know?

What do you need to know? What is it that you are looking for? Google can fulfill that desire. In a social reality in which tangible interaction has been traded for virtual connectivity, Google is the largest broker of wish fulfillment. Searching is not only a function of the system, it is the system. Searching is the basis for all computing — superseding any operating system — created for you to experience an organized illusory reality.

Joining the greatest data cult ever imagined has but a few limitations. There are no blanket statements that one could say about Google. It is vast like the cosmos and pervasive like the basic elements. With its ability to index from the most pointless forms of creativity to the most current world altering events, Google can give the layman the impression that it is able to control everything.

But What is Everything? You can find the answer on Google. It is promised that none of the images are porn and only half contain lolcats. You have just altered your search settings. Everything can be advertising. Nothing can be Internet search, e-mail, online mapping, office productivity, social networking, and video sharing And Viceversa. Search accurately with operators. Create a filter. Invite a friend. There is unlimited storage space for everyone and counting.

It comes in an assortment of friendly colors and can be customized to your liking. It saves you time and energy. It can turn phone numbers intro addresses and math problems into answers. It can bond the living and heal the sick.

No matter how many webrings people made, you just could not surf there from here. This was unacceptable. Manifest destination determined that users should be able to get everywhere from anywhere. Information needed to be freed and shopping needed to be accessible.

There could only ever be one pets. And they built millions of other roads. And then they lined these roads with billboards. Manual 94 Lost and Found they built entire cities of industry. And within these cities, they erected more billboards. And pretty soon, Google, the mere builder of roads, owned half of the frontier, which is no longer a frontier, but a megapolis without borders. Privacy is overrated, therefore there is no need to protect it. Censorship is necessary; we want to legitimize it.

Copyright infringement is a fantasy, we must all ignore it. Google is not a religion. It is the framework of social order. Atop of Google sits the faith of a disjointed society feverishly dependent on the continual flow of virtual commodities. As the internet turns into a generic planned community of manicured tract housing, Google is the pavement that leads to the gates. Everyone is welcome to enter. We speak any language.

We index any type of information. We have unlimited space for you and your data, regardless of its excesses. We will connect you to anyone at any time. They seem so stupid naive sometimes that is hard to difference between branding or genuine nerdness.

Since according to the world, everything is a brand, probably the silly font and simple colors are just another way to pervasive control. Unless you say our name too much. If we become fully integrated into the culture, we lose the right to our trademark.

Our direct control over your engagement with the internet is contingent upon our brand retaining the appearance of not being pervasive in your life. Do not be mistaken. We want to be pervasive in your life, but we have no desire to relinquish control of our trademark, brand, identity or cultural philosophy. Stop talking about us. Keep searching. What if Google is really a nerd that is sort of cool? But wait Then, why Google will go on a cyberwar with China? Only we get to do that.

Manual 95 Lost and Found Brand Image. Nor do we think its funny when you shorten, abbreviate, or create acronyms out of Google trademarks. In fact, we would prefer if you simply never talked about Google. I know that we are, like, totally a part of culture at large, but please refrain from generalizing our trademark.

Unlike us, your cafeteria is not catered well-enough to justify this. Google only endorses itself. Google reserves the explicit right to engage in this activity. In our opinion, Google reserves the sole right to be misleading, unfair, defamatory, infringing, libelous, disparaging, obscene or otherwise objectionable.

We reserve all rights to do so. Wether you are the largest country on earth, a humanitarian NGO, a Russian hacker conglomerate or rival website, we reserve the right to silence you. This includes the laws of physics and is not constrained by poor health code scores. Google can not be responsible for eating establishments that violate local health code laws, including the use of hairnets and allowance of small animals into the eating establishment.

We suggest consulting with our legal department before undertaking any home redecoration projects. This includes party dresses, cocktail dresses, mini dressed, gowns, skirts and various colored halter tops. Google brand packaging, distinctive color combinations, typography, graphic designs, product icons, and imagery have nothing to do with how good we look. Google is specific to Google. Google is Google is Google.

Stop saying Google! Stop making us generic! All our trademarks are belong to us! Some countries have severe criminal and civil penalties, but we wish that they all would. We are mapping your neighborhoods with our camera vans and we are recording your movements. We know where you eat and we know about your health concerns.

We know where you log on to the internet and we know what type of pornography you like masturbating to and how you have been looking at more pornography since your wife left you. We know you like looking at the related pictures. We know all about you. You better think twice before you talk about Google. Only Google may talk about Google.

Google is us. We are Google. We reserve all the rights to reserve you none. Shut up and look at the related pictures. We indexed them just for you. We will bring you down. Do not try to innovate more than us. We will buy you out. If there is any question about usage, please keep them to yourself. Requests for clarification or permission may be subject to harsh punishment. Go Mobile Google has a compound in Mountain View. It is called the Googleplex. This resulted some months later in middle aged soccer moms breaking their wrists on walking trails in Florida.

Let me Google that for you and look at the related pictures. The Googleplex has a twisty slide and a well-stocked snack bar. Manual 97 Lost and Found abuzz with the best and the brightest. They work at optimizing your optimization. Turn it off to discard them once the search is done. We keep the whole track of it for us. Google has the legal standing of a single individual, but employs hundreds, if not thousands of people. Some of them know each other. Most of them do not.

They work together towards a common goal. Do no evil. See no evil. Hear no evil. Index everything blindly. DMCA is the name of the game. We are infringing copyright law? Who, us? Just tell us where and how, we will fix it. Unfortunately, we do not police our content. Notes [1] This essay was originally written in February , on the occasion of F. Lab participa- tion in Transmediale , Berlin. Lab was nominated for the Transmediale Award , and invited to take part in the festival, that took place from February 2 to 7 in Berlin.

Since Larry Page and Sergey Brin opened the Menlo Park doors of their corporate office in , Google has grown to be much more than just the defacto information search utility for the web. Beyond having over domains, dozens of web, browser and desktop apps, a number of the most popular sites on the web like YouTube , partnerships with multimedia conglomerates and multinational telecoms, one spy satellite and a mysterious network of telecommunication infrastructure, Google has become a new word in the international lexicon.

I Googled it. Jeg googlede det. Yo googleo. Google, Ergo Sum. Shining a light into the darkness of the early web was not as simple as it looked. It is the fact that a corporate entity, even one as beloved and competent as Google, is in control of such a large stake in the digital network and public utility upon which we have all grown so reliant.

Few even question or raise a voice in opposition to the Google-ification of the Internet. We use search, blog search, gmail, YouTube, calendar, docs, analytics, maps, etc. Sure, there are alternatives to Google. But, they mostly suck. And to not use Google means to lose access to an enormous network and some of the most reliable tools on the Internet. That is why for Transmediale , F. Throughout the duration of Transmediale, F. Manual Are you evil?

Are you evil? Once you have it, you can customize it by checking the ones you use. They were both inspired by Markus Angermeier a. The printable version is available here: www. Participants could take them and hand-draw on them. The web page allows you to apply customized logos on an image you choose and to upload it to F.

By presenting two words it both protects websites from bots attempting to access restricted areas and helps digitize the text of books. So, Leuch asks, why should you help them? Manual Dr. Let Google diagnose you! On October 2, , F. Google from the web. By the time of the publication of this book, the project might not be online anymore. We hope you enjoyed Dr. Lab was able to build and send out in Berlin.

This came at a time when Google was introducing Google Street View in Germany, generating a lot of criticism and stimulating much debate on privacy issues. The Fake Google Street View Car was a non-functional replica of the actual Google Street View car, made using the car model choosen by Google to scan streets in Germany, and mounting a DIY but faithful replica of the nine-eyed camera on its top. Then F. Lab members started driving the car in the streets of Berlin, sending its GPS coordinates to a map available on their website.

The project made headlines in international media as some journalists actually believed the hoax according to which F. Lab was able to place a GPS transmitter on a real Google car and make its current positioning publicly available online, so that people in the streets could check it and manifest their criticism in front of the car itself. The result: for a while on Sunday you could see in real time just where it was, and the group also generated a map showing where it had been […] Much hilarity ensued, although Google obviously got wise to it and seem to have removed it.

Free Art and Technology F. Lab is an art organization which recently used a fake Street View car as an art project in Berlin and claimed to have put a GPS tracking device on in to track its route. This car was not an official Google car, as we are currently not driving through Germany as there are not optimal weather and light conditions at this time of year.

Contact your local car rental. As you can see, our camera-top came out a little bigger than the original one. The laser scanners white boxes were adjusted to size but came out too big in relation to the rest. Paint both sides of the strips black. Glue 4 pieces of wood 23 cm to the inner ring.

Screw and glue the inner ring on the base. Hide the inside with a cylinder of black vinyl. Screw and glue the top octagon. Clamp the outer ring on. Mount the finished octagon on the main tube with L-brackets. Step 5: Octagon no cameras inside! Cut the inner and outer octagon walls from the cardboard. Use white tape or paint to cover them. Bend a piece of cardboard in the window and cover it with black vinyl. Mount the 3 boxes to the center box directions!

Build the control unit, paint it yellow, and screw it to the rear side of the center box. Attach rods to the ring on the tube and screw them in the base. Stabilize with flight cables on all 4 corners of the center box to the base. Add lower diagonals, dish and stand for optical enhancement. Step 8: Mount the fake camera top onto the car: Screw 4 holes 8mm in diameter in each bar of the roof rack.

Drill the corresponding holes in the wooden base. Mount the camera top with nuts and bolts to the roof rack Make sure the roof rack is mounted and sits tight. Drive carefully and have fun in the city!!! It was used by F. Lab for the Google Streetview Car Berlin prank. Once connected to a given Twitter account, the app can be used from a GPS enabled smartphone to send coordinates to a map.

In Berlin it was used to send data from the fake Google Street View car to streetcar. Once you have installed the app: 1. Get inside a Google Street View Car. Open your favorite Twitter app on GPS enabled smartphone. Tweet sporadically to plot geographic points on the map. Relax as the blogosphere and media outlets go into a frenzy. Stay alert — install Google Alarm today. While on one hand it is useful to have a massive database of real-time, localized, data-sets, consisting primarily of useless social drivel, on the other hand it has yet to be effectively demonstrated as to why.

The proliferation of Twitter will have a serious impact upon the future development of devices intended for real-time networked communications by undermining the value of a rich multimedia experience. This will limit the ability for mobile devices to share and publish images, audio and video. Most obvious, this will prevent the dissemination of the art form that prior to now unequivocally set technological standards — pornography.

Perhaps some day, the medium will advance to the point where we will be able to use Twitter to transmit girl-on-girl video in semaphore. Follow Porn on Twitter! Complete instructions with download links are available on Instructables: www.

If you are using any other operating system download the source and figure it out. Step 3: Tastefully acquire pornography Finding pornography on the internet is easier than you might think! All you need is a standard web browser and some old-fashioned know-how. Open your web browser and go to a site called Google.

You should now be all set to find pornography on the internet. Manual How to Tweet Porn hemisphere and hit enter. This will load up a host of pornographic images for you to share. Look how easy it is to find pornography.

Once you have found some pornography, make certain it complies with all federal laws such as US Code Title 18, in regards to proper record-keeping , and that you have permission to share it. After you are sure the image matches these criteria, right-click to save it to your computer. Tip: To comply with normal pornography indexing standards, I recommend organizing your pornography in folders categorized by number of participants, ethnic origin, height, hair color and act s being performed.

Click the load image button and select the image you would like to send. All you have to do is open the application and it will pick up wherever it left off the last time you had it open. Auto Smiley has many uses from just straight up convenience to enforcing honesty in your online communication : The project uses openFrameworks and The Machine Perception Toolbox MPT for smile detection. And while larger file sharing arenas are targeted, many forget file sharing has existed across many different mediums for decades.

Early filesharing beginning with Usenet groups, where the binary data was converted to text characters and reprocessed for download. Facsimile machines follow a similar method of dissemination of binary data. And even ham radio [1] used teletype to transmit photos across long distances by converting photos to ASCII before transmission.

We also have many systems today that mirror prior technology of Usenet newsgroups, paging devices, IRC chat rooms, and IM status messages, of which the largest modern equivalent today is Twitter. Its official species name is Noahivius Weinsteinicus. This name was derived by adding a whole bunch of Latin-sounding things to the name of its initial discoverer, Noah Weinstein. Very few living specimens of the cockerfly are known to exist.

As such, very little information is available about the insect. One thing that us scientists know for certain is that while the standard cockerfly can withstand large doses of nuclear radiation, they are extremely fragile creatures and are brittle to human touch. Predation accounts for their low population numbers as cockerflies are only found in highly urbanized areas populated by abnormal amounts of domesticated cats. Unsuccessful efforts have been taken to increase their population numbers by breeding them in captivity.

Despite their best efforts, scientists were unable to set the mood to encourage mating amongst cockerflies. They are currently on the list of endangered species. In spite of rapidly dwindling populations, very few people are upset.

Considering that the continuation of the species is pretty much a lost cause, follows are instructions on how to help accelerate the extinction of the cockerfly through the acquisition and preservation of your very own specimen. Manual Catch a Cockerfly A dead butterfly Krazy Glue A cardboard surface The ability to hold your breath note: this will not work if you own a domesticated cat Step 2: Acquire a cockroach Before you can preserve a cockerfly, you will need to acquire a garden variety cockroach to use as reference.

Cockroaches can easily be found in offices located above restaurants and any apartment in Manhattan. Catch an adult cockroach and place it in a sealable container. For this I used an empty salt shaker. Step 3: Euthanize the cockroach Kill the cockroach by placing it in the freezer. After two to three hours in the freezer, it should be good and dead.

Take it out of the freezer and remove the cockroach from the container. Be careful handling it as not to damage it. Note: Dr. G says you should always wash your hands after handling cockroaches as they have been known to cause allergies. I covered the holes on the top of the salt shaker with a piece of painters tape after concern was raised about placing a cockroach in the freezer with a container that had holes in it.

I highly recommend a fully sealable container to circumvent this problem. Step 4: Pin the roach Pin the roach to your piece of cardboard such that it is held firmly in place and if it accidentally wakes from the dead, it's not going to go anywhere.

An ideal place to pin it is through the center of its body, just below its head. Be careful not to pin through its wings. Step 5: Free the wings Foremost, never touch a butterfly wings with your hands. It removes the coloration. Secondly, butterflies are very fragile. If you can avoid handling it by its wings, please do. Manual Catch a Cockerfly a butterfly. That said, pin your butterfly down to the cardboard. Using your scalpel, cut the wings free from the thorax such that a relatively sizable piece of thorax is left connected to the wing for the time being.

Once both wings are free, remove as much of the remaining bits of the thorax as possible from the wing while leaving just enough thorax in place to still be able to grasp it with tweezers. An easy way to do this is to place pins around the perimeter of the wing at an angle, which acts to temporarily hold it in place while you cut. Step 6: Attach the wings Look left.

Now, look right. This is a difficult, frustrating, and, at times, infuriating task. Fortunately, this Instructable is here to help. It also helps to have two pairs of tweezers for positioning the butterfly wing just right without using your hands. Most importantly, it helps not to breathe. You will notice that exhaling will almost assuredly move the butterfly wing which, as per the butterfly effect, will ultimately cause an unwanted pregnancy in Cincinnati and ruin the Prom for everyone.

What worked for me was to take in a deep breath and position the wing as best I could during that time. I just kept repeating this process until I was done. Easy as that. Lastly, if the nozzle from the Krazy Glue is too large for you to work with, try applying a small amount to the tip of an insect pin and using the pin to apply the glue. Step 7: Proudly Display Once the glue is dry, display your cockerfly as you see fit. As you can see below, I recreated a typical cockerfly scene. Manual Shaved Bieber and business censorship; an approach to providing a free, open, and neutral web that can still be censored by the individual.

This piece began as a simple idea and spurned a public outcry of polar views on technology, pop culture, and online messaging mediums. In two weeks time, the popularity of this piece garnered over , video views, 85, blog views, hundreds of comments, multiple press mentions, and tens of thousands of tweets.

After the piece began to grow in popularity, the hate mail and fan mail began to pour in through comments, tweets, and emails. Blocking and altering content is notably achieved through advertising blocking extensions, but the everyday web content we consume contains many more things we may wish to see or not see. By launching a customizable keyword management service, Pop Block gives users the ability to control their engagement with content while browsing by highlighting or blocking content.

This approach allows users to manage a list of keywords that synchronize wherever they have installed the extension. These custom F. In the West, we often think of Arab cultures as sexually repressed societies, when — in fact — it turns out that they are clearly leaps and bounds ahead of us in advancements in lingerie technology.

Those of us in Western cultures have a thing or two to learn from the Syrians about gaudy electronic lingerie. Henceforth, it became my mission to fast-forward lingerie technology in the West. I figured the first step in this critical mission was to replicate some of the advancements made in Syria.

The article of lingerie that resonated most with my inner sensibilities was the clap-off bra. I immediately resolved to make my own clap-off bra as a springboard into Western lingerie innovation. On a quiet morning, two years ago, I first set out to make a clap off bra in order introduce it to a much more conservative Western audience. After a long arduous process, I am finally proud present to you a reliably working prototype.

He creates intricate systems with playful realizations, sharing the source and challenging others to create and contribute. Kyle is a regular collaborator on arts-engineering initiatives such as openFrameworks, having developed a number of extensions which provide connectivity to powerful image processing and computer vision libraries. For the past few years, Kyle has applied these techniques to problems in 3D sensing, for interaction and visualization, starting with structured light techniques, and later the Kinect.

Kyle's work ranges from hyper-formal glitch experiments to tactical and interrogative installations and performance. While state media originally reported that Ai was arrested at the airport because his departure procedures were incomplete, the Chinese Ministry of Foreign Affairs said on 7 April that Ai was arrested under investigation for alleged economic crimes. All around the world, activists started protesting against the Chinese government. The project addresses a lack of tools for the high-speed reproduction of info graphic messages in and around urban surfaces, and allows for quick tagging of pertinent data.

The pattern includes a complete set of re-arrangeable letters and numbers. The stencil has a few noteworthy design features: - The letters are designed to be held in place with adhesive tape. Manual Infoviz Graffiti - The pie chart pointer is held in place by an adjustable-tension bolt and wing-nut.

I used MDF, but acrylic is fine. Kyle McDonald wrote a simple application that took one picture every minute, and installed it in a couple of Apple stores in Lower Manhattan over three days. Having collected more than a thousand photos, Kyle decided to exhibit them in the same places they were originally captured.

So he wrote another app that could be remotely triggered after being installed on all the computers in one location. When the app starts up, it takes a picture and slowly fades in that photo. A moment later, it starts cycling through older photos. Most people instinctively quit the app less than 10 seconds after recognizing their own face, so the exhibition was relegated to the unused machines.

They had a warrant to search for evidence that he violated the federal Computer Fraud and Abuse Act, and they left with his laptop. Then lawyers for Apple contacted Web sites that hosted video made by Mr. They did. Lab website as well received a letter from Apple demanding that the project be removed. Instead of doing it, on July 15, Evan Roth kept the pictures from the stores on place, but he photoshopped a Steve Jobs mask on the faces.

Despite Apple, many screenshots and a video documenting the project can still be found online. Are you a media artist who has gotten on the bad side of a private multinational corporation? Perhaps your government does not approve of the open source co- working tool that you host? Or maybe, you are simply just a troublemaker? This informative little sticker will help guide you towards the quickest methodology of seriously damaging your laptop hard drive during that moment of urgency.

First of all, you will need to download one of these contingency plan sticker files. Print out the file onto transparent adhesive full sheet labels. Cut your sticker to size. Research the build of your laptop and locate the position of your hard drive. The hard drive should look like a rectangular box with a centered circle somewhere upon it.

If you have a couple of minutes on your hand, you may want to drill multiple holes. Possible, alternate methods include sawing through the center of the sticker with a Sawzall or angle grinder. About the Project QR codes are a form of two-dimensional barcode which are widely used to convey URLs and other short texts through camera-based smartphones. It does so through the use of two basic image processing techniques: connected component labeling sometimes called blob detection and 8-connected chain coding someties called contour tracing.

These stencils can be understood as a covert markup scheme for urban spaces — providing directions, information, and warnings to digital nomads and other indigenterati. Make yourself a QR code image which embeds a short piece of text. To reduce the complexity of the stencil, we recommend generating your code with the shortest possible texts, and with lower levels of error correction L-level or M-level.

Download and install the Processing development tool. You will be prompted to Open your QR code image. After opening the QR code image, the program will generate a stencil. Of course, you could always print out the PDF on paper if you prefer to cut the stencil by hand. For non-permanent outdoor marking materials, we recommend Erwin Strait-Line powdered chalk; black spray chalk; black finger paint; and Crayola Sidewalk Paint.

Burden, Matt Jones and others who have gone down similar or related paths. Additional thanks to Andrea Boykowycz for creative input. Such workers typi- cally work remotely - from home, coffee shops and public libraries to collaborate with teams across the globe. They frequently use new technologies like a smartphone, wifi, and web- based applications to enable their lifestyle, and earn an income wherever they live or travel.

The term originated in the Western — probably Northwestern — United States around Hobos would write this code with chalk or coal to provide directions, information, and warnings to other hobos. Inspired by hobo symbols, the warchalking marks were conceived by a group of friends in June and publicised by Matt Jones who designed the set of icons and pro- duced a downloadable document containing them. Type anything in the box for a continuous, full-browser stream of videos.

Get as specific as you want, e. Made in collaboration with Chad Pugh and Casey Pugh at the 24 hour hackday. The dead drop apparently contains confidential cold war material — Do NOT put it on the internet. This is perhaps the biggest thing to happen to augmented reality since the invention of methamphetamine. The Googlher was produced with both open source software and hardware.

Follows are directions to make your own Google- responsive vibrator. Build one and let Google touch you where it counts. Manual The Googlher x4 22pf capacitors x3 0. The first thing you need to do is to cut a square hole in the side of your case in which to put the USB jack. After you have made a nice square hole in one side, it is time to make a tiny round hole in the other.

Attach new longer wires to each terminal of the jack. To figure out which wire goes to which terminal, plug in a USB cable between the two and use a multimeter to test for continuity. It is circuit building time. First, let us understand what is happening. The decoder chip sets 4 consecutive pins to either high 5v or low 0v depending on the tone it detects.

These 4 pins are connected to the inputs of a CD shift register, which in turn converts them into a 4-bit number between 0 and The circuit is pretty straight forward, but there are a few things to note. First of all, on account of the power demands of the motor, the circuit needs a couple filter capacitors to function reliably.

I put a 47uF capacitor where the power source enters the board. I put 0. I also put a 10uF cap near the power source to shift register. Manual The Googlher This seemed to do the trick for me. If your chip stops working reliably for you, my advice is to keep adding more filter caps until it does very scienterific like. Also, the power and audio are wired directly to the USB dongle.

The audio jack is left wired in for as long as possible. I am powering the board at this point with alligator clip connector wires. Lastly, make sure you solder everything to the circuit boards with as low of a profile as possible.

For everything else, just look at the schematic. It is relatively straight-forward. Open up your USB dongle. Attach a red and black wire to the USB jack.

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