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Of the concertos. It was completed by Igor Buketoff and had its first performance in Johann Wolfgang von Goethe. The Isle of the Dead Op. The Bells. He wrote two piano sonatas. His chamber music includes two piano trios. He also wrote a Russian Rhapsody and arranged his First Symphony below for piano four-hands.

Sergei Rachmaninoff 6 Works Rachmaninoff wrote five works for piano and orchestra…four concertos plus the Rhapsody on a Theme of Paganini. Among his most popular songs is the wordless Vocalise. The second and third symphonies are both considered among his greatest works.

He also completed three operas. Works for piano solo include the Preludes. In his chamber music. The cadenza of Piano Concerto No. He also wrote three symphonies. He started another opera in There are also the Six moments musicaux Op.

Rachmaninoff also composed works for two pianos. Ossia shown here Other orchestral works include The Rock Op. Both these works were published posthumously. Other choral works include a choral symphony. Together with the Prelude in C-sharp minor Op. He also composed many songs for voice and piano. Rachmaninoff had great command of counterpoint and fugal writing.

Its brutal gestures and uncompromising power of expression were unprecedented in Russian music at the time. This talent was paired with a confidence in writing in both large. After the three fallow years following the poor reception of the symphony. The harmonic writing in The Bells composed in but not published until [36] [37] became as advanced as in any of the works Rachmaninoff would write in Russia. He uses them most perceptibly in his Vespers.

Beginning in the mids. Rachmaninoff said that "it had written itself". His near-Impressionist style perfectly matched the texts by symbolist poets. The opening melody of the First Symphony is derived from chants. Note that the opening melody of the Third Piano Concerto is not derived from chants. The above-mentioned occurrence of the Dies Irae in the Second Symphony is but a small example of this.

Very characteristic of his writing is chromatic counterpoint. Rhapsody on a Theme of Paganini. The variations show an even greater textural clarity than in the Op. Sergei Rachmaninoff 7 Compositional style Rachmaninoff's style showed initially the influence of Tchaikovsky. In both these sets Rachmaninoff was less concerned with pure melody than with coloring. The Third Piano Concerto especially shows a structural ingenuity.

Its flexible rhythms. This would be characteristic of all his later works … the Piano Concerto No. He started leaning towards sumptuous harmonies and broadly lyrical. His First Symphony has many original features. He was also fond of Russian Orthodox chants. His orchestration became subtler and more varied.

Rachmaninoff's style began developing significantly. Rachmaninoff's repertoire. Schumann and Tchaikovsky. In addition. Ignaz Friedman. Sergei Rachmaninoff Symphonic Dances. He was famed for possessing a flawless. The edition of the Grove Dictionary of Music and Musicians notoriously dismissed Rachmaninoff's music as "monotonous in texture. Rachmaninoff was one of the best Romantic performers. He applied these qualities to excellent effect in music by Chopin.

Moriz Rosenthal and Josef Hofmann. Harold C. Note the hands. His left hand technique was unusually powerful. His playing was marked by definition…where other pianists' playing became blurry-sounding from overuse of the pedal or Young Rachmaninoff. While never becoming sentimental. His playing possessed a masculine. Rachmaninoff's playing had extreme musical elegance. Moscow Conservatory dedicated a concert hall on its premises to Rachmaninoff. Pianism Technique As a pianist.

He never lost the basic metric pulse.. Rachmaninoff ranked among the finest pianists of his time. He did so through subtly nuanced phrasing within his strong. Schonberg suggests the young Vladimir Horowitz might have gotten this kind of rhythmic snap from Rachmaninoff. His playing was marked by precision. As his records demonstrate. With the stories he told at the keyboard came multiple voices…a polyphonic dialogue. On the recording.

Rachmaninoff biographer Barrie Martyn points out similarities between written accounts of Rubinstein's interpretation and Rachmaninoff's audio recording of the work. Two days later Rachmaninoff would play it "with complete artistic finish. Rachmaninoff's textures were always crystal clear. I was always under the spell of his glorious and inimitable tone which could make me forget my uneasiness about his too rapidly fleeting fingers and his exaggerated rubatos. He could hear a piece of music.

With Rachmaninoff's extensive operatic experience. Siloti would give him a long and demanding piece to learn. His recording of his transcription of the song "Daisies" captures this quality extremely well. Only Josef Hofmann shared this kind of clarity with him.

Correct notes seemed to be built into his constitution. Sergei Rachmaninoff deficiencies in finger technique. There was always the irresistible sensuous charm. This ability came from an exceptional independence of fingers and hands.

These included back pain. The Russian's drive and monumental conception bear a considerable difference to the Australian's more delicate perceptions. Sergei Rachmaninoff 10 Interpretations Regardless of the music. Rachmaninoff also possessed a far better sense of structure than many of his contemporaries. Rachmaninoff recorded on an upright piano that the inventor admitted was below average. Thomas Edison. Percy Grainger. He based his interpretations on the theory that each piece of music has a "culminating point.

Rachmaninoff possessed physical gifts that may have placed him in good stead as a pianist. Rachmaninoff often sounded like he was improvising. Rachmaninoff recorded first for Edison Records on their "Diamond Disc" records. You can give their works color. Rachmaninoff always planned his performances carefully. Rachmaninoff shows the filigree as essential to the work's structure. Without color it is dead.

This syndrome would have accounted for several minor ailments he suffered all his life. These gifts included exceptional height and extremely large hands with a gigantic finger stretch. He believed "interpretation demands something of the creative instinct. That is the most important thing for me in my interpretations. While his interpretations were mosaics of tiny details. So you make music live.

They and Rachmaninoff's slender frame. If you are a composer. Grainger's textures are elaborate. Rachmaninoff's performance is far more taut and concentrated than Grainger's. This was a practice he learned from Russian bass Feodor Chaliapin. Rachmaninoff believed his Rachmaninoff Victor advertisement. You can make contact with their imaginations. Several manufacturers. Sofia Satina. Sergei Rachmaninoff own performances to be variable in quality and requested that he be allowed to approve any recordings for commercial release.

After the performance. His recordings for Victor continued until Sergei Rachmaninoff. This angered Rachmaninoff. The first. Edison agreed but still issued multiple takes. According to the Ampico publicity department. Aeolian in London created a set of three rolls of this concerto in RCA Victor. He recorded all four of his piano concertos with the Philadelphia Orchestra.

Rachmaninoff also made three recordings conducting the Philadelphia Orchestra in his own Third Symphony. He continued to record until around The company was pleased to comply with Rachmaninoff's restrictions. In one scene. It is here performed by himself.

She says she had heard Rachmaninoff play with "the Philharmonic once. Helfgott completes the piece and suffers a nervous breakdown. Moderato Performed by the Skidmore College Orchestra. See media help. The action is set in Bruce Beresford was signed in March to direct a feature film based on Rachmaninoff's life. Seymour's character asks what it is. I love his music but I've never heard this piece". In an allusion to that. Courtesy [65] of Musopen Waltz in E flat major. Reeve's character is humming the tune.

Recorded on January Courtesy of Musopen Hungarian Rhapsody No. The film The Story of Three Loves. The soundtrack of the film Brief Encounter. Cultural references Rachmaninoff's music is often quoted. Claudio A. Matthew Bellamy of Muse has cited Rachmaninoff. Sergei and Jay Leyda. Rachmaninoff New York: Schirmer Books. ISBN Geoffrey Rachmaninoff: Life. Bardi Editore.

Stanley Sadie London. Sergei Vasil'yevich by Richard Taruskin. Arnold J. The Oxford Companion to Music. Sergei Rachmaninoff In the editorial comic strip 9 Chickweed Lane.. Stanley Sadie. Heart of Gold. London: Oxford University Press.

Sergey Vasil'yevich ". Harold Recordings London and New York: Contunnum. Rachmaninoff's Recollections Told to Oskar von Rieseman. London: Continuum International Publishing Group. Max Talk Classical. Oxford Music Online. Alexander Scriabin. Sergei Rachmaninoff … Obenchain.

Retrieved Nikolai Myaskovsky. New Grove. Retrieved November Russian transliteration can vary between languages. NY: Vestal Press. Steve July October Retrieved March New Grove 2nd ed. New Grove 2nd Ed. Who Will Return Soon. Musical Opinion. Sergei Rachmaninoff: a bio-bibliography. London: Continuum. Joseph Google News. Robert Rachmaninoff: Life.. George October New Grove 2d ed. The Aeolian Company. Sergei Rachmaninoff [14] Geraint Lewis.

Rachmaninoff and. William H. Sergei Rachmaninoff [60] Harrison Mary Elizabeth. Brooke In France. According to international copyright law. The Australian. Ravel's piano compositions. Ravel's estate earns more royalties than that of Maurice Ravel in any other French composer. Much of his piano music. Le tombeau de Couperin and Gaspard de la nuit. Ravel's works are public domain since January 1. June Sandy The Orchestrelle Company. Charles Baudelaire. Ravel demonstrated a preference for composing.

Some of Joseph's inventions were quite important. His mother. Among his earliest memories are folk songs she sang to him. Both were Catholics and they provided a happy and stimulating household for their children. He was particularly impressed by the new Russian works conducted by Nikolai Rimsky-Korsakov at the Exposition Universelle in Emmanuel Chabrier. Joseph Ravel. His earliest public piano recital was during at age fourteen. Maurice began piano lessons with Henry Ghys and received his first instruction in harmony.

I was sensitive to music…. Marie Delouart. At twenty years of age. The critics were somewhat unfavorable. This may account for his success as an orchestrator and as a transcriber of his own piano works and those of other composers. Ravel conducted his first orchestral piece. Ravel had the "appearance of a well-dressed jockey". Though reserved. Debussy and Schumann. Paris: in Ravel's day. Short in stature. Ravel was sensitive and self-critical. For a time. Ravel would continue to have a difficult time with the critics for some time to come.

He was well-read and later accumulated a library of over 1. Habanera for two pianos. Ravel created his earliest compositions. Ravel was usually bearded in the fashion of the day. Ravel was expelled during He received a first prize in the piano student competition in Ravel joined with a number of innovative young artists. Ravel was already "self-possessed.

I have had profound admiration. Ravel did criticize Debussy sometimes. Ravel left the Conservatoire. Ravel is all insensitivity. Debussy is all sensitivity. I would reorchestrate La mer"[31] By The incident … named the "Ravel Affair" by the Parisian press … engaged the entire artistic community. The two composers attended many of the same musical events and were performed at the same concerts. Ravel tried numerous times to win the prestigious Prix de Rome. For Debussy. Maurice Ravel d'eau.

Disputes arose as to questions of chronology about their respective works and who influenced whom. The public tension caused personal estrangement. Debussy was considered more spontaneous and casual in his composing while Ravel was more attentive to form and craftsmanship.

Ravel composed his Trio in A minor for piano. Diaghilev had taken Paris by storm the previous year in his Parisian debut opera Boris Godunov. Ravel followed in the tradition of Schumann. Diaghilev nearly cancelled the project.

The piece. Ravel completed his Rapsodie espagnole. Ravel replaced Vines with Marguerite Long. They banish all sentiment in expression but offer to the listener a number of refined sensory elements which can be appreciated according to his imagination.

Ravel made his first foreign tours to England and Scotland during and During Michel Fokine libretto. Though it employs folk-like melodies. The score utilizes a large orchestra and two choruses. For future premieres. The ballet had an unenthusiastic reception and lasted only two performances. Le tombeau de Couperin. Maurice Ravel 21 War years Although he considered his small stature and light weight an advantage to becoming an aviator.

Aaron Copland. It is a source of joy and pride for your old professor. Ralph Vaughan Williams. Ravel maintained his influential participation with the SMI which continued its active role of promoting new music. With the death of Debussy and the emergence of Satie. Ravel completed his Sonata for Violin and Cello. Ravel did manage some compositions. Diaghilev commissioned Ravel to write La valse. Ravel became perceived popularly as the main composer of French classical music.

Diaghilev challenged Ravel to a duel friends persuaded Diaghilev to recant. The men never met again. Ravel refused to shake Diaghilev's hand. At far right is George Gershwin. He made recordings nearly every year from then until his death. Ravel has pursued his way as an artist quietly and very well. By this time Ravel. By Upon Ravel at the piano. This may have played a part in his declining output and longer composing time during the s.

His all-Ravel concert in Boston was equally acclaimed. Jazz particularly was played in the cafes and became popular. American musical influence was strong. Maurice Ravel own music was no longer considered au courant in France.

Satie had become the inspiring force for the new generation of French composers known as Les Six. Igor Stravinsky and Sergei Prokofiev were in the ascendant. He has been his own most unsparing critic. According to Gershwin. Famed writer Colette provided the libretto. He has disdained superficial or meretricious effects.

March 7. Ravel suggested that maybe he should study with Gershwin. Pabst hired Jacques Ibert. But later Wittgenstein stated. Marguerite Long. When Ravel became unable to compose. See George Gershwin. Ravel was inspired by the technical challenges of the project. As Ravel stated. Domenico Scarlatti. Ravel composed both of his piano concertos at the same time. Ravel suffered a major blow to the head in a taxi accident. Wittgenstein played the work in concert for the first time to instant acclaim.

And the successes they have given me in the past few years are just as unimportant. Although Ravel was listed as the conductor on the original rpm discs. The great success of his American tour made Ravel famous internationally. The Italian maestro. This tale may well be apocryphal: Gershwin seems also to have told a near-identical story about a conversation with Arnold Schoenberg.

The work was commissioned by Austrian pianist Paul Wittgenstein. In any event. Its lighter tone follows the models of Mozart. Ravel then visited New Orleans and imbibed the jazz scene there as well. His admiration of American jazz.

A Hollywood film titled Bolero This injury was not considered serious at the time. Maurice Ravel hearing Gershwin's reply. Adventures of Don Quixote from Miguel de Cervantes's celebrated novel. Cipa Godebski. Misia hid all these facts. Ravel was buried with his parents in a granite tomb at the cemetery at Levallois-Perret.

Ravel arrived late and did not go to his box but to Misia's. Ravel probably died as a result of a brain injury caused by the automobile accident and not from a brain tumor as some believe. Some of his friends suggested that Ravel frequented the bordellos of Paris. In her memoires.

Ravel benefited from many sources and influences. He awoke from the surgery. Ravel made a remark at one time suggesting that because he was such a perfectionist composer. This same man owned the "Casino de Paris" where the Ravel family had a number staged. A recent hypothesis presented by David Lamaze. Like Debussy. He was invited onto her boat during a cruise on the Rhine after his failure at the Prix de Rome.

Ravel completed L'heure espagnole and the Rapsodie espagnole. During late As a student. Ravel remains ungraspable behind all these masks which the snobbery of the century has attempted to impose. One hemisphere of his brain was re-inflated with serous fluid. Maurice Ravel On April 8. The family of her half-brother. Ravel consented to experimental brain surgery. Alfred Edwards. Ravel takes on a theme from Gounod's Faust and arranges it in the style of Chabrier.

I would ask to be allowed to identify myself with the simple pronouncements made by Mozart. Ravel's own voice as a composer remained distinct. Ravel also used other folk themes including Hebraic. Schubert and Schoenberg as inspirations for various pieces. Borodine In the manner of. Zazpiak Bat. The virtuosity and poetry of Gaspard de la nuit and Concerto for the left hand hint at Liszt and Chopin.. Maurice Ravel Certain aspects of his music can be considered to belong to the tradition of 18th century French classicism beginning with Couperin and Rameau as in Le Tombeau de Couperin.

He often relied on traditional forms. Other forms from which Ravel drew material include the forlane. He believed that composers should be aware of both individual and national consciousness. Ravel used extended harmonies and intricate modulations. Ravel plays with the ability to both mimic and remain original. Ravel abandoned the piece. Ravel considered himself in many ways a classicist. Violin Sonata and the Piano Concerto in G. He was fond of chords of the ninth and eleventh.

Basque music was influential. This is apparent in his Valses. Ravel placed high importance on melody. For him. He confined himself to saying that there is nothing that music cannot undertake to do. As a result.

In reality Ravel is much more than an Impressionist and in fact he resented being labelled as such. He intended to write an earlier concerto. For example. In a more complex situation. Ravel's compositions rely upon modal melodies instead of using the major or minor scales for their predominant harmonic language.

A la maniere de. Ravel was cognizant of the effect of new music on the ears of the public and he insightfully wrote: On the initial performance of a new musical composition. I can strive unceasingly to this end. Chopin and Liszt. The important thing is to get nearer to it all the time.

During this interval I come progressively. Valses nobles and Valses sentimentales … where the seven movements begin and end without pause. Ravel avoided the symphonic form as well as religious themes and forms. To fill the requirements of larger works. Maurice Ravel nobles et sentimentales … inspired by Franz Schubert's collections. The moment arrives when new conceptions must be formulated for the final composition. Most of his works were thought out over considerable lengths of time.

Igor Stravinsky once referred to Ravel as "the most perfect of Swiss watchmakers". To add surprise and added color. Thus I can be occupied for several years without writing a single note of the work. Ravel used this miniaturist approach to build up his architecture with many finely wrought strokes. But one must spend much time in eliminating all that could be regarded as superfluous in order to realize as completely as possible the definitive clarity so much desired.

The orchestral version clarifies the harmonic language of the suite and brings sharpness to its classical dance rhythms. Ravel was always clear and direct with his instructions. Ravel decided early on to have virtuosi. Alexis Roland-Manuel and Vlado Perlemuter. In this version.

Hector Berlioz. As his career evolved. He destroyed hundreds of sketches and even re-copied entire autographs to correct one mistake. Only rarely did he conduct works of other composers. His closest students included Maurice Delage. He was rigorous and demanding in teaching counterpoint and fugue. But in all other areas. While he disapproved of tampering with his own works once completed.

Ravel had strong opinions on historical and contemporary music and musicians. Ravel was a strong advocate of Russian music and praised its spontaneity. Ravel's preferred way of teaching would be to have a conversation with his students and demonstrate his points at the piano. He was always careful to ensure that the writing for each family of instruments worked in isolation as well as in the complete ensemble.

Maurice Ravel Ravel crafted his manuscripts meticulously. In creating his own music. He had considerable admiration for other 19th century masters such as Chopin. He just stood there beating time and keeping watch. Musical influence Ravel was always a supporter of young musicians. During his life Ravel studied the ability of each orchestral instrument carefully in order to determine its possible effects while being sensitive to their individual color and timbre.

Wagner's influence "pernicious" and Berlioz's harmony "clumsy". Modest Mussorgsky's Pictures at an Exhibition is best known through its orchestration by Ravel. Ravel was again called upon to play his own piano music.

Often Ravel would challenge a student with "What would Mozart do? Manuel Rosenthal. Forlane … IV. Toccata La Valse choreographic poem. IV and V orchestrated … I. Maurice Ravel 28 Notable compositions … … … … … … … … … Menuet antique piano. Fugue … III. Rigaudon … V. Prelude … II. Minuet … VI. Benjamin The Watchmaker's heart. Cambridge: Cambridge University Press. Gerald Ravel [] and Ravel's Brain Maurice Ravel. Cambridge Companions to Music. New York: Welcome Rain.

Maurice Ravel: a Life. London: Phaidon. David Biography Resource Center [] subscription Farmington Hills. The Cambridge Companion to Ravel. MI: Zondervan. Patrick ISBN [4] James. The Guardian. Ravel: Man and Musician. Burnett James. Grand Rapids. Omnibus Press. Jon ISBN [6] Orenstein. Vladimir London: W. Michele Siegel. March Paris: Flammarion. Boller January Maurice Ravel [50] James. The Lives of the Great Composers revised ed.

New York Times. Wheaton IL: Crossway Books. Maurice La peinture. Jewish Women's Archive. Paris: Seuil. Sandra Betty Carlson Jane Stuart. For the last five years of his life. Produced by Rhombus Media. Maurice Ravel [99] Orenstein. Toronto: Rhombus Media. Larry Director. PA: Bullfrog Films. Abstract: The film portrays the inner being of a great artist who was rendered incapable of communicating with the outside world. Afflicted with aphasia and apraxia. Ravel's Brain. Maurice Ravel was the victim of his own lamentable circumstances.

Abstract: Follows Ravel's life and career through the presentation of his many works by the Montreal Symphony Orchestra. He died in May on one of these trips of a heart attack at age In he moved to Jena. Among his students were Joseph Haas. Reger appeared in ten concerts as an organist. Duke of Saxe-Meiningen. From he worked in Leipzig. He continued to compose without interruption.

Greek Gen. Ist Pers. Numeral for ? Cn, Cnaeus-i? XA speak out, to expound L. Z she will speak out, expound L. Of efficio, Ind. HA-5 shield L. Z, Z, Z L. AC18 search for, to look for L. Single emit or I Fut. Eos; adj. Erato ; to erase L. Single Conj. Euan or Euhan, m. Single, fai. Z72 confess, reveal L. Single vehit FE Z5. Single veniat; It. Single veni; It. PX-2 Clovenias, name Re: L. Tuli, supine latum, Ind.

This script shows augurs with liver DL-1 fair It. Single; It. DD-2, DD-4 Firiien, name? Z, Z he draws out, empties L. CF-7 draw out, to empty L. Single habet; It. Single ha; Fr. Heraea-orum, n. Heraea-orum, 1st Decl. Hermes or Herma-ae? Ho, there! L54 arcade, covered passage L. Ianus-i; Acc. PA yesterday L. IFE Z he, she would assist L. GA-1 of the Ionians L. Iones-um, 3rd Decl. Ionia-ae, 3rd Decl. Ionia-ae Ionia; Ion, Ionus? Cause of anger L.

Q, R, R sing, chant, prophesy L. Single -um [im]; It. R body, carnal, flesh L. Single -o; It. N, N Cato, gens, cunning L. N, Q-4 Katulus, Kateles, name? R, Q cow O. MS heart L. Laius-i, father of Oedipus; olea-ae, olive; Gr. Z fertile, glad, joyful L. S Au14 Las, Etruscan male divinity, title? Latinus-a-um, Nom. Latinus-a-um; 2nd Decl. Lautin, Laudin? To her? La, cola, vi, ci, ecco; Fr. MF-4 lioness L. Single Gen. Lea-ae, Acc. Lemnos [us]-i; adj.

LeTH M67 he kills L. Lui, lo, gli, li, them, the pl. Le, lui, celui LI Z loyal It. Loyal, adj. LITS J them, it? II Fut. Single -e; It. Z43 in the seas L. Marcus-i; to mark, It. Marsi-orum; adj. Maro-onis ; 2nd Decl. Mars, Martis, old form Mavors, 3rd Decl. Tanaquil Masnial? Old form of modern name as, Tommas Aniello Masaniello? Past 1st pers. MELE corresponds with It. N lead, to conduct, guide It. Maia-ae; adj. A thousand? M17 of, to the wonderful, astonishing, extraordinary L.

Z grind, to stir, work at, toil, struggle L. Morpheus-eos; Abl. Naevius-a-um, name Roman gens. Cn Naevius, a poet of 3rd Cent. Gnaeus-i, 2nd Decl. PC-1 by no means It. Funeral song? K82, K, PQ-8 ill-omened, unholy, unfortunate L. XB born L. Pl, natierant; natus-a-um, part. Q deny, negate L. Z Nereus father of Thetis? VP, BR-1 strive, struggle L. Single necas ; Acc. ON-9 he was unwilling, wished not to refuse L. OB V8 N go to, to go to meet, of heavely bodies, to set; of living, to die L.

Word is difficult to read PM-5 eighty L. Single -e It. VG-1 to the boundaries L. Etruscan town north of Lake Bolsena L. Owl, crow L. Ossa in N. Single Imperf. Single N. BE-4 you fear L. Pente, Hit. Passer or alternatively a small bird a small bird L. Penarius-a-um, 2nd Decl. Nom Pl. Perugia, L. Perusia, suffix, 3rd decl. Petra; Fr. Pha, goddess, Fay? Gaelic, fay ; L. R fury L. N please, to be agreeable L. Puis; Persian, peye, after; Polish, po, after ; L.

GA-1 of Punum, name? You drink? Z adult, puberty L. Alia-ae, f. Raconter; Belarus, raicca; Toch. BS return, to go back L. Thane; OE. Thane, feudal lord ; This is a god. Single rapiat; It. Q rule, to support L. Remus-i, Gen. Z, Z, Z to fill again, satisfy L. Z resin L. Rhea-ae, Gen.

Rois, It. N, N, N, N rein, to rule, regent L. Z rein L. Single -o, stream; It. DR-4 quarrel, to complain L. M32 of the oaks, hardwoods, resolve, vigor L. Single -is; Fr. Roma-ae; It. Romano; Fr. Romanus-a-um; Nom. Roma-ae, Acc. Seront; It. Single rotat ; wheel L. Roue, wheel; to rotate, L.

Robigo [Rub]-in; Gen. S healthy L. SAK Z sacrifice, to offer L. League priest N, N sacrifice, to offer L. Salle; go up? Z progeny, restored? We hoe Z stone, rock L. Q30 for the rich L. Single sciet; It. SEA K cut, to part by cutting L. Single secat; It. Single -a; It. Single salveat; It.

Hermon Senir? Z serene, to be quiet L. S22 join, to connect together L. Single sedeam; It. Jupiter; Gr. Sphere, ball? Silinus, 2nd Decl. Z, Z, RA-2 leave, to let alone L. Kerasos; Welsh, ceirios; Scott, siris; Fr. Single —im? Single expandet; It. Z, Z spit, to spit out L. Present 2nd pers. Q straighten, to tighten L. Single subeat; It. AP-5 arrow, sagitta-ae, arrow shake from beneath L.

Possibly Ataie, Hades? M53 I owe L. Z, Z, Z he will cover, bury L. Deka, Welsh, deg-au; L. Q wagon to carry the gods L. Terminaus-i, m. N -a; It. Z, Z he bore witness to L. Pluperfect 3rd Pers. Thebae-arum, 2nd Decl.

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